Hand Restoration of Actual Photograph -scan -scanning -upload -digital -photoshop -computer

Conserving and Restoring Works of Art on paper

Fine Fine art Prints - Watercolors - Drawings - Maps - Pastels - Photographs

Conservation and Restoration Services

Current Work Plough Around is:  1 - two months fourth dimension.

Studio located in:  Marblehead, MA

Fine art  Conservator  and  Paper  Restorations

Rob Kipp
20 Maverick Street
Marblehead, Massachusetts 01945-2220

781-631-5035  -Studio       East-mail Rob Kipp

An introduction to our Impress & Document Conservation & Restorations Services

Our Conservation & Restoration Goals Since founding our Conservation and Restoration services in 1979, we take dedicated ourselves in providing but the finest piece of work available anywhere. Our goal has never changed, using simply safety procedures and natural chemicals in our restoration work. Our conservation and restoration procedure does not harm newspaper fibers or original hand coloring. From our meticulous preparation and handling of your artwork, to its completion, we are committed to satisfying even the most discriminating collector, results that clearly show.

New Piece of work Levels.  Turn-Around fourth dimension frame.  In an effort to be more than timely with nowadays clients work loads, items that are extreemly stained, foxed or torn may not be accepted. The time required to work on these types of distressed prints is oft double the work and efforts we put into their restorations.  For normal work, our electric current plough-around time frame is 1 - 2 months time after work arrives at our studion.

Pricing and estimating your work.  Estimates are based upon canvas size and piece of work level required.

Delight contact us via east-mail for an estimate. All quotes are assessed according to size, condition, materials and labor.

Pricing of Conservation & Restoration Work

Dealer inquires are invited, for book work and resale pricing.

Estimate Costs Brainstorm as follows,  Please east-mail or phone call for an estimate, overall sheet size needed.

Work Begins at $95 for complete cleanings and deacidifciation for Octavo.

Octavol Folio sheet measuring 7x9" for a light cleaning, stain reduction and deacidifcation start at $95

Pocket-sized Folio sheet measuring 8x12" for a light cleaning, stain reduction and deacidifcation offset at $175

Medium Folio sheet measuring 10x15" for a low-cal cleaning, stain reduction and deacidifcation showtime at $215

Large Folio canvass measuring 14x20" for a light cleaning, stain reduction and deacidifcation start at $325

Very Large Page sheet measuring 20x32" for a lite cleaning, stain reduction and deacidifcation start at $450

Coloring, Paper Repairs and Demounting are in improver if needed to above as is Moderate or Excessive Cleaning.

Bodily Pricing Work Canvas showing costs for folio sizes.

email us today for your gratuitous estimate.  Turn around fourth dimension is between 1 - 2 / months to consummate piece of work.

e-mail Restoratations

Problems to overcome and Expectations: The presence of tears, holes, stains and foxing plus other surface blemishes can significantly impact a prints value and esthetic beauty.  Pine backboards were ofttimes used in original framing as was backing with cardboard and utilise of acid paper matting.  This inappropriate framing permits oxidation and contagion which can result in surface soiling, water staining, foxing, mold and mildew.  With patience, our process will overcome those harmful effects and restore your print back to most of its original condition.  In our opinion, Professionally Restored prints volition be brought dorsum to nearly of their esthetic and monitory value, with the exception of image newspaper repairs that could reduce a prints value despite being professionally restored.  Nosotros also understand that in many cases, sentimental value is what many customers are striving to preserve.  Whether a collector, dealer or in possession of a family heirloom, we will strive to meet your needs of your requests.  Please be patient equally our procedure does take one to 2 months to successfully complete dependant upon how astringent the staining and any boosted work is.

Our Qualifications and Our Customers We have successfully completed work on paper items dating back to the 17th century, including the piece of work of contemporary artists. Values of individual artwork range from $125,000.00 to many �one-of-a-kind� items of special intrinsic value to each collector. We treat every print restoration that yous have entrusted us with, as if it were our own. Our work continually includes items from other Conservators, who selected the states to complete complex or hard items for them. The bulk of our piece of work comes from well-known dealers, collectors, museums and historical societies throughout the state. Their continued relationship with united states, has been built effectually years of accomplishments through our skilled work. Nosotros offer a full-time professional paper restoration service and would be pleased to add your name to our growing list of satisfied customers.

Starting The Process - Evaluation We begin past testing and examining each impress to properly evaluate its bug and suggest proposed remedies for conservation and restoration. Shown in the beginning photo, is a partially started deacidifications. A process we use in reducing the staining in paper. This large folio,hand colored lithograph is typical of many 19th century prints, where pino backboards were inappropriately used in its original framing. This condition permitted oxidation and contamination to enter the unabridged print area, resulting in a combination of surface soiling and waterstaning. This deposition was further troubled by a harmful acidity level of 5.3 pH. Foxing and mildew besides contributed to its nowadays deteriorated, but reversible status.

Starting How We Brainstorm Our Cleanings First nosotros thoroughly dry out-clean the face up and verso to remove all loose surface dirt and remainder soiling. The original coloring is sealed in, making certain all coloring is retained during the remainder of our piece of work. Next step begins the actual cleaning process of stain reduction with a process of deacidification. We use a neutralizing solution with a vacuum tabular array with blotters to literally flush-out and blot-out the harmful acidity present in your print. This time consuming process enables us to reduce most of the stubborn stains which are present. Throughout this entire process, every attempt has been made to use nondestructive chemicals and to preserve all of the prints original coloring. Until you decide to take a print restored to its full original beauty, past usa, our process may not be fully appreciated by you, merely information technology does permit your collection to �grow one-time gracefully �, by using naturally safe methods which are dedicated to preserving fifty-fifty the smallest of important details.

Sunlight and Time between cleaningsOur Process that we use for Conservation and Restoration cleanings is slow and mild, using element of group i distilled water with sunlight.  It takes many applications with a weeks time in-between applications to safely reduce and bring back your prints natural dazzler.  With cloudy weather or no sunlight, no cleanings can take place.  Oft we hadly become or programme for work durning January. to Mar.  Delight be patient in allowing us to safely clean and preserve your prints and documents, cloudy atmospheric condition or wintertime months does slow us downwards with lack of sunlight.  This is why it takes us 1 - two months or more than to complete some difficult cleaning projects.  We can't be rushed as your club comes to its last cleaning and your patients is appreciated.  Nosotros are happy to update clients on progress of your order but information technology seems to near ever fall short of our expected or projected completion dates.  I am a one person shop so in that location is only and so much I tin can practise in one day, your understanding is appreciated.

How We Are Different & Why Our method of conserving fine prints requires many applications, several days apart and goes slowly. From beginning to completion, your print could take as many as twelve carve up deacidification treatments, with your print continually beingness monitored, using an electronic pH meter. The stain reduction process takes place from the dorsum of the impress, the same manner most stains got there years ago. This procedure will necessitate the complete removal and demounting of any onetime backings, usually not a difficult procedure for us. Working from the verso (back) of your print, as well minimizes the adventure associated with altering the original hand coloring. These steps have time and afford your print the attention it deserves. Allowing us to gradually achieve the desired results without losing the important details of original coloring and signatures, essential for all 18-carat and authentic original artwork.

Final Stain Reduction and Cleaning Once the print has been completely deacidified, near 95% of all staining has been reduced. We could and then, and only if absolutely necessary, utilise a mild �spot� solution, to further reduce small concentrated areas. This becomes necessary where heavily foxed areas or knot burn from backboards was excessive and are all the same apparent - Even-though they accept been reduced through many deacidifications. Our stain reduction cleaning does not guarantee a complete removal of every stain. We would rather nether-clean a print and retain all of its original coloring than remove all stains and accept to enhance or re-color portions of your prints image.

Desired Results Get Apparent The results of many balmy deacidification processes slowly become apparent as the acidity is gradually reduced during our safe cleaning process. The background paper color is lightened up to a soft cream color. This allows the colors which take e'er been present, to become or appear, more prevalent. As the lighter background color of the paper brightens up, this gives the transparent or translucent colors the power to �stand out� and get more than vibrant and lifelike. Furthermore, your eye is not directed towards a previous stain or visual defect which enables you to enjoy each piece, as it was original intended past the creative person.

Before & After photos of Our Conservation & Restoration Work


Photo above, our cleaning process begins. Cleaning was started on the right side.

Photograph above shows heavy stains removed.  Only light deacidification is needed.


Photo above shows the completed print.   Properly conserved and restored.

The print shown, is properly conserved and restored to its original beauty. Information technology is the identical print shown above. Even to a trained �eye�, their is little testify that this print was ever restored. The catastrophe pH was stabilized to a pH of vii.0 With the paper also existence buffered, hereafter bug associated with acidity, should never be a trouble over again, with proper matting and framing.

Please contact us via eastward-postal service for an estimate. All quotes are assessed according to size, condition, materials and labor.

Out Of State Customers We presently have most 90% of our work form other states.  We would be pleased to provide you with information and exact quotes and then that you may hopefully brainstorm to enjoy the total potential beauty of your prints. Prices quoted practice not include return shipping or insurance charges. We maintain, in house, a computerized UPS tracking service. We will exist able to tell you exactly where your shipped artwork is at all times.

Time To Consummate Piece of work The time to complete each print is subject to the amount of work it requires. In most cases, we would demand between one to 2 months fourth dimension to complete most work. Excessively stained items or all-encompassing paper repairs would lengthen this time frame to several months while smaller items that are not heavily stained could be done in one to two months turn around fourth dimension.   Our process relies on directly sunlight for cleanings, no sunlight or cloudy atmospheric condition prevents us from cleaning clients work.  I am a one person store and capeesh the time needed to properly conserve and restore your art piece of work to a professional level that we seek.  If yous are in a bustle, its best to look elsewhere.  Nosotros practice each social club as it is received and do not push ahead any piece of work.  Showtime in showtime out, no exceptions.  Nigh of our customers are repeat customers and detect the wait well worth waiting for.  Deposits are non required but full payment upon completion is expected.

Our Data Canvass We take an "Information Sheet"; which nosotros tin can send you. In it lists the piece of work nosotros practice, costs for each folio size as well as our: Weather condition of:   Acceptance and Completion for All Work. Verbal estimates are given, only we will need to see and exam each print to properly evaluate and recommend the piece of work that nosotros experience will be necessary for correct conservation and restorations, of your artwork.

Request An Gauge We are happy to quote prices for anticipated conservation and restoration work.  eMail estimates are free, be sure to give overall sheet size for all work.  To accurately determine the costs, it is best if nosotros view your item here in our studio. Please be sure to use several layers of stiff paper-thin when sending your artwork and include a daytime phone number so nosotros may call you when your particular arrives. You may have a local shipping centre who tin can assistance y'all with your aircraft needs.

We take Credit Card payments for restoration service, with on-line PayPal.

      Conservation & Restoration Services We Offer.  Please allow 1 - 2 months for completion.

        • Cleaning, deacidification & stain reduction to an acceptable level
        • Dry out Cleaning of margins, image and verso for surface soiling
        • Sealing-In of signatures or fugitive colors so they are preserved
        • Deacidification and Reduction of paper acidity and harmful acidic backing balance
        • Conservation Cleanings for reduction of staining, backboard stains and oxidation
        • Removal or reduction of fungus and mildew spores and stain
        • Paper repairs of margins or holes in images or tears from margins into the prototype
        • Demounting of old acidic backs and mats.  Process always needs a cleaning when done.
        • Color enhancements and re-coloring of images or parts of an prototype.
        • Highlighting with mucilage Arabic as originally done.
        • Flattening of wrinkled or creased prints or maps.
        • Museum matting and encapsulation using all rag Mat lath and archival sleeves.
        • Right Re-Framing True-Vue Conservation glass.


Give thanks y'all, Rob Kipp


    If you accept decided to transport your artwork for evaluations, please go to our Restoration Estimate page .

    If you would like to encounter some recent work, please go to our Recent Restoration Examples folio.

    Some other Types of Conservation and Restoration work that have been completed Types of Work



ART & OLD Print RESTORATION
Studio located in:   Marblehead, MA

Art  Conservator  and  Paper  Restorations

Rob Kipp
20 Maverick Street
Marblehead, Massachusetts 01945-2220

781-631-5035  -Studio       E-mail Rob Kipp

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� 1979-2021   past Rob Kipp. All Rights Registered

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